isis: (vikings: lagertha)
([personal profile] isis Jun. 19th, 2025 04:30 pm)
What I recently abandoned reading:

I got just over halfway through Iron Widow by Xiran Jay Zhao before deciding that YA mecha is not my thing, even when it's a YA mecha AU of Chinese history. I think I'd rather read an actual historical novel or even nonfiction about Wu Zetian, who seems to have been an impressive-as-hell woman. (I will take recommendations!)

What I'm reading now:

Lamentation, the 6th Shardlake book by C. J. Sansom. (An actual historical novel! 😁)

What I recently finished watching:

S2 of Andor, which as I said, weirdly ironic to be watching as we grapple with our own ascendant Evil Empire. The pacing of this season was strange, big time-skips and characters that had seemed important in S1 (or in early episodes of S2) disappearing completely, or reappearing briefly only to be killed. I was expecting more about Mon Mothma's family, after all the screentime lavished on the wedding and her sort-of-blackmail situation. I was also expecting more of a resolution, though that's probably because I only vaguely remember Rogue One, so a lot of the breadcrumbs were, "wait, who was that again?" instead of, "aha!" for me. But I liked Kleya a whole lot, and also the snarky ex-Empire droid, and some of the spycraft bits were fun.

What I'm watching now:

We are giving American Primeval a try, despite it probably being on the violent/gory side for our tastes. We're two episodes in, and - I immediately recognized Shorty Bowlegs from the most recent season of Dark Winds! (Derek Hinkey, playing Red Feather.) Also, there is a local(ish) woman in it, Nanabah Grace from Cortez just down the road, who plays Kuttaambo'i. An article about her in the local newspaper was the way I first heard of this series, actually.

I'm enjoying the historical stuff; it's set during the Mormon War, which I actually researched a bit for my Yuletide fic, the premise of which was that the main reason that Deseret became an independent republic in the alt-history of Francis Spufford's Cahokia Jazz was that President Buchanan backed down in the face of united Mormons and natives, as both religion and respect for the tribes were stronger in that universe's US. I also like seeing the Old West, even though it was all filmed in New Mexico pretending to be Wyoming, although I'm getting a bit tired of the washed-out sepia filter.

What I recently finished playing:

Okay, not quite finished, but I have completed the last major quest in Mass Effect: Andromeda, so it's basically over. (I mean, the credits rolled! Therefore, it's over!) I know that Andromeda is considered ME's poor stepchild, but - I really enjoyed it. The "major threat to the world as we know it!!1!!one!" of the main trilogy is such a staple plotline of video games like this that I appreciated the "survive, explore, and (hopefully) thrive in a NEW UNIVERSE (and also defeat the major threat to the world as we know it)" plotline for its novelty. I thought the structure of quests opening new planets and objectives in a rough but not strict order worked well, and I really liked that most (maybe all?) decisions are not hugely critical, so you don't doom yourself to a bad ending by choosing X instead of Y. I did check the wiki a few times when I was nervous about things, but pretty much none of these decisions made any real difference, which meant I was free to actually role-play as "what WOULD (me as) Sara Ryder do?" and I find that much more relaxing.

I wasn't quite completionist - I didn't do all the fetch quest type quests, and I didn't do one vault (Elaaden, which I might go back and do), but I did pretty much everything else. I liked the glyph puzzles, and I hated the Architects, ugh. I played mostly as what in the main trilogy would be Infiltrator (combat + tech). I romanced Liam (after a fling with Peebee). It was fun!

What I'm playing next:

I think I will try some shorter games; I got Lorelei and the Laser Eyes a while back because a friend recommended it, and Skabma - Snowfall from a recent deal, because it looked pretty. I might try Baldur's Gate 3 again - I never managed to get into it and found it frustrating and annoying. Eventually I plan to get Dragon Age: The Veilguard, and also probably Clair Obscur: Expedition 33, which I've heard good things about.
(Or sell me on your favorite adventure game!)
isis: (boromir)
([personal profile] isis Jun. 11th, 2025 07:16 pm)
What I've recently finished reading:

Heartstone by C. J. Sansom, the fifth Shardlake book. Looking back at my reviews, I think the author must have got his feet under him better as he went on, or else he just shifted to things more to my taste, because I had said the fourth was my favorite so far, but I think I liked this one even better! This story is set mostly distant from court intrigue, though it comes in at the end; Matthew is given a legal case by Queen Catherine Parr, and it intertwines with his own interest in the situation that led to Ellen Fettiplace's commitment to Bedlam. I'm not going to mention my favorite thing about this book, because it is a spoiler, but - this book contains one of my favorite things. :-) Also I like the way the various plots and sub-plots wind around each other: the legal case, Ellen's history, Barak's relationship with his wife Tamasin (complicated by her pregnancy), Matthew's problematic new steward. Okay, I lied, this book contains two of my favorite things, and the other one is a fascinating and detailed endnote about the real historical events that this book is built around. I loved this in Bernard Cornwell's Last Kingdom books, and I love it here.

The Maid and the Crocodile by Jordan Ifueko, which is related to the Raybearer series, and which several people in my circle read and enjoyed, so I got it from the library despite my having been disappointed in the series. And as the other reviews said, it was rather heavy-handed issuefic (so was the Raybearer series), but also had clever worldbuilding, charming characters and, I thought, better pacing than the series. (Also was in past rather than present tense, which I prefer.) However, will someone please tell Ifueko that "monotone" is NOT A SPEECH VERB DAMN IT?!?!

What I'm watching now:

We've got three episodes left to go of Andor S2, and gosh isn't it ironic to be watching

Spoiler you can probably guess if you have seen the showa manufactured riot as pretext for government crackdown while a riot is being manufactured as pretext for government crackdown
I did read the interview with the showrunner about how no, he wasn't inspired by current events (that is, recent events, obviously the show was written well before current events!) but it's definitely inspired by historical fascist governments and fights against them, and wow, we are just proving that what goes around comes around, that human foibles are universal, etc etc, but still, holy shit, right? Yeah.

But as I have said before, this is the wonderful thing about SF, that it can recast real issues in ways that make them easier to understand than when you are right in the middle of them argh.
The Sapling Cage - Margaret Killjoy
The Butterfly Assassin - Finn Longman
Lake of Souls - Ann Leckie
A Sorceress Comes to Call - T Kingfisher
James - Percival Everett
Those Beyond the Wall - Micaiah Johnson
The Dead Cat Tail Assassins - P Djèlí Clark
The City in Glass - Nghi Vo
Return of the Thief - Megan Whalen Turner
The Brides of High Hill - Nghi Vo
The Practice, the Horizon and the Chain - Sofia Samatar
Navigational Entanglements - Aliette de Bodard

The West Passage - Jared Pechaček
Metropolitain: An Ode to the Paris Metro - Andrew Martin
We Called Them Giants
The Hunger and the Dusk, vol 1
Saint Death's Herald - CSE Cooney
The Butcher of the Forest - Premee Mohamed
The Raven Scholar - Antonia Hodgson
In Universes - Emet North
So Let Them Burn - Kamilah Cole
The Time of the Ghost - Diana Wynne Jones
The Gentleman and His Vowsmith - Rebecca Ide
The Magicians of Caprona - Diana Wynne Jones

The Sapling Cage (three stars), A Sorceress Comes to Call (two stars), The City in Glass (five stars), The West Passage (five stars), Saint Death's Herald (three stars), The Raven Scholar (three stars), The Gentleman and His Vowsmith (two stars)The Sapling Cage
This took me a bit to get into, partly because I was struggling to get a handle on the world, but it picks up once Lorel joins the witches, and has some really interesting stuff on duty, responsibility, power and how to live in a world that has other people in it. I felt like it faltered a bit in the second half when the action picked up, though, partly because it stopped addressing those questions and partly because writing action scenes is not Killjoy's best skill - they're not bad, exactly, but they are a bit awkward. And while I see what the author was trying to do with the denouement and the villain's motivation, it just didn't really come off.

What did work really well, however, was Lorel's debate on whether she wanted use magic to transform her body because she wanted a different body, or because having that body would make it easier for her to exist in a transphobic world. I particularly liked that it doesn't really factor into her internal debate that the magic to make it happen is difficult and painful and needs the participation of another person: she can tackle how to get it if she decides it's something she wants.

So definitely a mixed bag: the aspects of it I loved, I REALLY loved, but I'm still on the fence about whether I'll read the next in the trilogy.

A Sorceress Comes to Call
Two stars is probably a little ungenerous, but I was so frustrated by this book by the time I finished it, because it's two books, and they're both good books, but they are fighting each other. Part of this book is an incredibly well done horror novel about domestic abuse and control, and part of it is a delightful Regencyesque comedy of manners, and maybe those two things could mesh, but they don't here: the comedy of manners defangs the horror novel, and the horror makes the comedy of manners feel frivolous, even though both taken individually are great.

I could also have done without the comedy of manners heroine banging on about how OLD and DECREPIT she is, she's just SO ANCIENT, an OLD LADY, when she is in fact... fifty one. (Definitely a known problem with Kingfisher's writing, and this is at least older than her previous "I'm just SO OLD" heroine was, so... progress?)

The City in Glass
Absolutely loved this. Gorgeous prose, incredible images, wildly compelling - Nghi Vo does not miss.

The West Passage
This book was a wild ride and I had a great time (even if it contains slightly more cannibalism than I would ideally prefer). It's a medieval inspired fantasy, but not in a knights and peasants way, in a mysticism and weird little guys from the margins of illuminated manuscripts way: there's definitely some Gormenghast in its DNA, as well as some of the odder corners of Arthuriana, but it is absolutely its own thing. And the ending absolutely elevated the whole thing.

Saint Death's Herald
I absolutely adored Saint Death's Daughter, but this sequel didn't work as well for me. I still love Lanie, but the new supporting cast and their relationships with her weren't as strong as the previous books, so I was a lot less invested overall (especially in the incredibly drawn out fight sequence around the 60% mark), and the more peripatetic plot meant there was less of a sense of place to this one. I also felt like the prose leaned into the elements that I liked less from the previous book. I didn't dislike it, though, and I'm hoping this is just a touch of middle-book-itis (it did feel like there was a lot of mopping up from book one and manoeuvring into position for book three) - I will definitely be finishing the trilogy.

The Raven Scholar
Definitely a three stars (affectionate) here. I loved the middle of this book, as our (not stated but very obviously) autistic heroine navigates the situation she's been flung into and grapples with her own past choices, but the beginning was a bit rocky and I felt like the end collapsed down a lot of interesting complexities in the interests of having a more standard Villain Plot to defeat. It's a very long book, though, so I spent more time in the fun middle than the shaky beginning and end, and am excited for more in this world!

The Gentleman and His Vowsmith
I feel like this book couldn't quite decide what it wanted to be. It tried to be a romance, a fantasy novel, a murder mystery and a gothic novel all at once, and ended up not really doing justice to any of them. And while it's definitely possible for this kind of genre mishmash to work, it has to be better integrated into the whole; here it felt like we were just skipping from one to the other, and as a result none of them were managed in a completely satisfying way - I forgot who the murderer was almost immediately after it was revealed, for example, because the solution was such a damp squib. The dialogue in particular also couldn't decide if it wanted to be period or modern, and overall it felt it was never sure if it wanted to be Regency-with-magic or full AU.

I do think that all of those things would have been easier to overlook if it had been shorter and faster paced though, it did have some fun stuff going on, but its flaws got more evident and more frustrating the more I read.
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